<\/p>\n\n\n\n
Vepra e artistes s\u00eb re, Ema Bilbilaj, nj\u00eb vlonjate q\u00eb artin e studioi n\u00eb Prishtin\u00eb dhe \u00ebsht\u00eb n\u00eb hapat e par\u00eb t\u00eb nd\u00ebrtimit t\u00eb karier\u00ebs artistike n\u00eb Kosov\u00eb, n\u00eb shikim t\u00eb par\u00eb mund t\u00eb duket si nj\u00eb mini panair mobilesh dhe gj\u00ebsendesh antikuare, mbi t\u00eb cilat ajo intervenon lirsh\u00ebm me ngjyra gjall\u00ebruese, t\u00eb ridizajnuara p\u00ebr nj\u00eb shije m\u00eb bashk\u00ebkohore konsumatore. K\u00ebshtu ajo dekoron mobilierin\u00eb me ca intervenime, n\u00eb t\u00eb shumt\u00ebn me tekste, kryesisht n\u00eb gjuh\u00ebn mbizot\u00ebruese angleze, t\u00eb vendosura n\u00eb trajta t\u00eb klithmave rebeluese q\u00eb karakterizon grafitet e street artit.<\/p>\n\n\n\n
Megjithat\u00eb, p\u00ebrshtypja e panairit \u00ebsht\u00eb sip\u00ebrfaq\u00ebsore dhe simplifikuese, kur t\u00eb kihet parasysh p\u00ebrmbajtja e \u201cklithmave\u201d t\u00eb Ema Bilbilajt, e cila, n\u00eb t\u00eb v\u00ebrtet\u00eb, mbi mobilet, por edhe n\u00eb disa piktura q\u00eb e plot\u00ebsojn\u00eb ansamblin e ekspozit\u00ebs, shp\u00ebrfaqet si artiste q\u00eb reflekton nj\u00eb bagazh konceptual mbase m\u00eb esencial t\u00eb traumave sociale t\u00eb bashk\u00ebkoh\u00ebsis\u00eb, q\u00eb konsiston n\u00eb p\u00ebrmbysjen e vlerave q\u00eb do t\u00eb duhej t\u00eb ishin shtyllat e qytet\u00ebrimit.<\/p>\n\n\n\n
K\u00ebshtu, n\u00eb nj\u00ebr\u00ebn nga veprat e b\u00ebra mbi pasqyre ajo shkruan n\u00eb anglisht \u201cIF NOT LOVE, I WONT POWER\u201d (N\u00ebse jo dashurin\u00eb, e dua fuqin\u00eb!), q\u00eb e dekonstrukton n\u00eb m\u00ebnyr\u00eb sentencioze sh\u00ebnd\u00ebrimin e munges\u00ebs s\u00eb dashuris\u00eb n\u00eb d\u00ebshir\u00eb p\u00ebr sundim me fuqi ose dhun\u00eb. Me k\u00ebt\u00eb p\u00ebrmbysje autorja e trajton edhe imazhin e engj\u00ebllit t\u00eb dit\u00ebve t\u00eb sot\u00ebm, n\u00eb trajt\u00ebn e nj\u00eb oksimoroni konceptaul, ku vet\u00eb engj\u00eblli paraqitet n\u00eb trajtat klasike t\u00eb padjall\u00ebzis\u00eb, si foshnje e buz\u00ebqeshur dhe simpatike me krah\u00eb zogj\u00ebsh, por q\u00eb n\u00eb duart\u00eb e saj\/t\u00eb tij (engj\u00ebjt mbahen t\u00eb pa gjini!) ia v\u00eb nj\u00eb pushk\u00eb automatike q\u00eb e shnd\u00ebrron at\u00eb n\u00eb vras\u00ebs serial(!) Nga nj\u00eb blasfemi e till\u00eb p\u00ebrmbys\u00ebse, imagjinata q\u00eb e krijoj\u00eb k\u00ebt\u00eb piktur\u00eb mbase do t\u00eb mund t\u00eb shfaj\u00ebsohej deridiku me nj\u00eb argumentim t\u00eb avokatit t\u00eb djallit (ose engj\u00ebllit), duka e titulluar vepr\u00ebn \u201cEngj\u00ebll i hakmarrjes\u201d, sikur \u00ebsht\u00eb luft\u00ebtar p\u00ebr drejt\u00ebsi, por me \u00e7ka po k\u00ebshtu do t\u00eb fuqizoheshte nj\u00eb oksimoron komprometues mbi vet\u00eb Per\u00ebndin\u00eb supreme, q\u00eb i ka krijuar vet\u00eb engj\u00ebjt dhe dreq\u00ebrit!<\/p>\n\n\n\n
N\u00ebntekstet dhe referencat mjaft\u00eb subtile kulturore fshehen edhe n\u00eb shkrimet tjera q\u00eb lexohen n\u00eb pasqyret e stolisura dhe objektet tjera antikuare t\u00eb ekspozit\u00ebs, q\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb jan\u00eb citate me referenca te autor\u00ebve t\u00eb tradit\u00ebs letrare t\u00eb tabanit komb\u00ebtar\u00eb, p.sh. disa vargje nga \u201cKanga e kandarit\u201d e Andon Zako \u00c7ajupit, nj\u00eb poezi erotike e ndaluar nga regjimet puritane, si dhe vargjet e Letr\u00ebs t\u00eb Tatjan\u00ebs d\u00ebrguar Onjeginit, nga poema e famshme e Pushkinit. Edhe citatet t\u00eb tjera t\u00eb shkruara n\u00ebp\u00ebr pasqyre dhe copa mobilerish trajtojn\u00eb frustimet e ndryshme rreth dashurive, tradhtive, trishtimeve t\u00eb jet\u00ebs etj. q\u00eb duhet zb\u00ebrthyer n\u00eb kontekstulitetet e tyre socio-patologjike por edhe si ironizime k\u00ebndjell\u00ebse q\u00eb m\u00ebtojn\u00eb detabuizimet e d\u00ebshirave m\u00ebkatore, q\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb nuk jan\u00eb m\u00ebkate.N\u00eb p\u00ebrgjith\u00ebsi, ekspozita \u00ebsht\u00eb nj\u00eb ansamb\u00ebl i p\u00ebrb\u00ebr\u00eb nga mobileri t\u00eb ndryshme q\u00eb sikur inskenojn\u00eb nj\u00eb prapavij\u00eb t\u00eb vlerave t\u00eb amshueshme, p.sh. \u00ebsht\u00eb nj\u00eb qyp i kuq \u201cantik\u201d me mbishkrimin \u201cTimeless\u201d, krahas nj\u00eb qypi tjet\u00ebr, m\u00eb ki\u00e7 p\u00ebr nga stili, ku gjejm\u00eb t\u00eb p\u00ebrs\u00ebritur psh\u00ebr\u00ebtim\u00ebn \u201cBlah, Blah, Blah\u2026\u201d q\u00eb ironizon fjalamanin\u00eb e pakuptimt\u00eb q\u00eb po e b\u00ebn\u00eb gjithnj\u00eb e m\u00eb toksike p\u00ebrditshm\u00ebrin\u00eb e bot\u00ebs s\u00eb sotme, ku p\u00ebrfshihet edhe \u201ckultura e lart\u00eb\u201d e rreme.<\/p>\n\n\n\n
Shk\u00eblzen Maliqi<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Ekspozita \u00ebsht\u00eb p\u00ebrkrahur nga Ministria e Kultur\u00ebs, Rinis\u00eb dhe Sportit<\/strong><\/p>\n\n\n\n![\"\"](\"https:\/\/hani2roberteve.com\/wp-content\/uploads\/2025\/10\/EMA-5-768x1024.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/hani2roberteve.com\/wp-content\/uploads\/2025\/10\/EMA-4.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/hani2roberteve.com\/wp-content\/uploads\/2025\/04\/toka_web_logos-13-1024x455.png\")
<\/figure>","protected":false},"featured_media":2243,"template":"","meta":{"_acf_changed":true,"nf_dc_page":""},"categories":[9],"class_list":["post-2236","ekspozite","type-ekspozite","status-publish","has-post-thumbnail","hentry","category-ekspozite"],"acf":[],"yoast_head":"\n