{"id":534,"date":"2025-04-10T00:55:50","date_gmt":"2025-04-10T00:55:50","guid":{"rendered":"https:\/\/hani2roberteve.com\/?page_id=534"},"modified":"2025-11-04T19:39:57","modified_gmt":"2025-11-04T19:39:57","slug":"blog","status":"publish","type":"page","link":"https:\/\/hani2roberteve.com\/en\/blog\/","title":{"rendered":"The Art Criticism Blog"},"content":{"rendered":"
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Gazeta<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The Art Criticism Blog is a space dedicated to reflection, analysis, and debate on developments in contemporary art, in Kosovo and beyond.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tOuroboros: Art Criticism in Kosovo, Visibility, and the Lingering Shadow of Manifesta 14\u00a0\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Nga Diona Kusari Gjat\u00eb nj\u00eb vikendi t\u00eb majit 2026 pat\u00ebm rastin t\u2019iu mbajm\u00eb ture rreth sken\u00ebs kulturore prishtinase dhe ndikimin e<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAdriana Kabashi: Destan Gashi \u2013 Between the Memory of Stone and the Poetry of Form\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Trupat e tij nuk k\u00ebrkojn\u00eb spektak\u00ebl. N\u00eb nj\u00eb koh\u00eb kur gjith\u00e7ka \u00ebsht\u00eb e mb\u00ebrthyer nga imazhi digjital dhe i menj\u00ebhersh\u00ebm, nga<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tDhurata Hoti: Die, My Love\u00a0\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Premisat e lumturis\u00eb Ajo zgjohet \u00e7do dit\u00eb brenda nj\u00eb jete q\u00eb nuk e refuzon hapur, por q\u00eb trupi i saj nuk<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tHana Kastrati: Why does contemporary art in Kosovo often appear borrowed\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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N\u00eb shum\u00eb diskutime mbi artin dhe kultur\u00ebn n\u00eb Kosov\u00eb p\u00ebrs\u00ebritet e nj\u00ebjta ndjesi: kultura ekziston, por jo si sistem i plot\u00eb.<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tShp\u00ebtim Selmani: On Literary Criticism\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Ky artikull \u00ebsht\u00eb lexuar n\u00eb kuad\u00ebr t\u00eb programit kuratorial t\u00eb Hani i 2 Robert\u00ebve, n\u00eb nj\u00ebrin nga debatet publike n\u00eb kuad\u00ebr<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tDiona Kusari:Public Culture and Independent Culture\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Me dat\u00ebn 11 mars 2026, u mbajt paneli me tem\u00ebn \u201cKultura Publike dhe Kultura e Pavarur\u201d me moderatore Diona Kusari dhe<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tSk\u00ebnder Boshtrakaj: An Evening with the Waves of the Adriatic - Ton\u010di Stani\u010di\u0107\u2019s \"Adriatic Miniatures\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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M\u00eb 12 mars 2026, n\u00eb Prishtin\u00eb u shpalos nj\u00eb mbr\u00ebmje me val\u00ebt e Adriatikut, nj\u00ebkoh\u00ebsisht gjeografike, kulturore, emocionale dhe identitare. Ekspozita Miniaturat<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tShk\u00eblzen Maliqi: Paradise Scenes by Ton\u010di Stani\u010di\u0107\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Jam shum\u00eb i k\u00ebnaqur dhe i nderuar q\u00eb mund t’ju prezantoj ekspozit\u00ebn e fotografive nga Ton\u00e7i Stani\u00e7iq\u00a0“Miniaturat e Adriatikut”.\u00a0Ton\u00e7i \u00ebsht\u00eb\u00a0diplomat kroat\u00a0i<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tDonjeta Abazi: Between Cultural Islands and Institutions \u2013 A Debate on Culture in Kosovo\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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M\u00eb 26 shkurt, n\u00eb \u201cHani i 2 Rob\u00ebrteve\u201d, u mbajt takimi i par\u00eb i seris\u00eb s\u00eb debateve Fuqizimi i Kultur\u00ebs, me tem\u00ebn<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tDonjeta Abazi: Imagination in the Accused\u2019s Seat\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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M\u00eb 20 shkurt, nga ora 20:00, n\u00eb Amfiteatrin e Teatrit Komb\u00ebtar t\u00eb Kosov\u00ebs u dha premier\u00eb shfaqja \u201cNyja e Gidionit\u201d, me<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tDiona Kusari: The porous identity in the works of \"Cotton\" by Manushaqe Ibrahimi and Yll Avdiu\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Ekspozita \u201cPambuk\u201d e artist\u00ebve Manushaqe Ibrahimi dhe Yll Avdiu u hap n\u00eb Hanin e 2 Robert\u00ebve me dat\u00ebn 29 janar 2026.<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tShk\u00eblzen Maliqi: The Neo-Romantic City of Rron Qena\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Rron Qena \u00ebsht\u00eb artisti m\u00eb urbanocentrik i brezit t\u00eb artist\u00ebve kosovar\u00eb t\u00eb pasluft\u00ebs. Bot\u00ebkuptimi, frym\u00ebzimet, motivet, qasja, deri edhe rakursi i<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tKlara Buda: Marie-Fran\u00e7oise Allain Portret Postume\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Marr\u00eb nga \u00a9klarabudapost.com Marie-Fran\u00e7oise Allain, e njohur si Soizik, u shua n\u00eb mosh\u00ebn 80-vje\u00e7are. Gazetare, intelektuale e angazhuar, ajo bashkoi kthjellt\u00ebsin\u00eb<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tLabinot Balaj: Teatri, Kujtesa dhe Filozofia e Dokumentimit n\u00eb Dodon\u00ebn e viteve 1991-2001\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Recension mbi librin Alisa Canaj Maliqi, “Galeria Dodona 1997-1999”, Dukagjini, 2024 Ka vepra q\u00eb mblidhen, ka arkiva q\u00eb ruhen dhe ka libra<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tOrhan Kurtolli: Who Are We Without Our Memory\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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E kaluara, p\u00ebrgjat\u00eb historis\u00eb s\u00eb njer\u00ebzimit, \u00ebsht\u00eb regjistruar dhe vazhdon t\u00eb regjistrohet n\u00eb m\u00ebnyra t\u00eb ndryshme. Padyshim, kujtesa, fillimisht si funksion<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tPenesta Dika: The Visitor as Co-creator \u2013 Reframing the Museum through Interactive Technologies\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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N\u00eb dekadat e fundit, muzeumet jan\u00eb shnd\u00ebrruar nga hap\u00ebsira t\u00eb ekspozimit statik n\u00eb ambiente p\u00ebrvoje dhe dialogu. Ky transformim lidhet ngusht\u00eb<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tArbnore Ramadani: The (A)Poetic Power of Popular Music Today\u00a0\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Muzika e popullarizuar p\u00ebrb\u00ebn nj\u00eb nga format m\u00eb t\u00eb p\u00ebrhapura dhe t\u00eb ndikueshme t\u00eb shprehjes kulturore n\u00eb nj\u00eb shoq\u00ebri. Ajo \u00ebsht\u00eb nj\u00eb produkt<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tShk\u00eblzen Maliqi: Mug\u00ebtira e t\u00eb pakonceptueshmes\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Arb\u00ebr Sahiti i takon brezit t\u00eb artist\u00ebve kosovar\u00eb postkonceptualist\u00eb, t\u00eb cil\u00ebt po i rikthehen mediumeve klasike t\u00eb shprehjes artistike. N\u00eb k\u00ebt\u00eb<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAdriana Kabashi: Poezia n\u00eb epok\u00ebn e chatbot\u00ebve\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\u201eN\u00eb mesnat\u00ebn time t\u00eb tretur, kur or\u00ebt r\u00ebndojn\u00eb si varre,m\u2019u shfaq p\u00ebrs\u00ebri ai shushurim i vjet\u00ebr,hija q\u00eb m\u00eb ndjek pas shpine,me<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tArb\u00ebr Sahiti: Kur arti b\u00ebhet m\u00ebnyr\u00eb e t\u00eb kuptuarit t\u00eb ekzistenc\u00ebs\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Arti bashk\u00ebkohor n\u00eb Kosov\u00eb p\u00ebrfaq\u00ebson nj\u00eb faz\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb transformimit kulturor pas nj\u00eb historie t\u00eb nd\u00ebrprerjeve politike, sociale dhe institucionale.<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tSk\u00ebnder Boshtrakaj: Kintsugi \u2013 The Art of Aesthetic Transformation in Culture and Life Philosophy\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Kintsugi, arti japonez i riparimit t\u00eb en\u00ebve t\u00eb thyera me ngjit\u00ebs natyror dhe pluhur ari, ka tejkaluar prej koh\u00ebsh kufijt\u00eb e<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\u017deljka \u010corak: Zoran Filipovi\u0107 \"1991\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Ekspozita 1991 Organizuar nga Ambasada Kroate n\u00eb Prishtin\u00eb 30 10 2025, Hani i 2 Robert\u00ebve Kujtimet zbehen dhe harresa \u00ebsht\u00eb e<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tZake Prelvukaj: The Veil of Memory as Drama\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Post-Mortem Koha \u00ebsht\u00eb nj\u00eb fuqi q\u00eb askush nuk mund ta mposht\u00eb. Ajo mbetet gjithmon\u00eb mbret\u00ebresh\u00eb e pandalshme, q\u00eb na sjell risi,<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tValentina Elshani: AVE Bohemia Festival\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Nj\u00eb udh\u00ebtim n\u00eb Prag\u00eb ku arti t\u00eb merr p\u00ebrdore Ka qytete q\u00eb thjesht i viziton\u2026 dhe ka qytete q\u00eb t\u00eb ftojn\u00eb<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tLouise Bourgeois: Interview with Donald Kuspit (1988)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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P\u00ebrkthyer dhe p\u00ebrshtatur n\u00eb gjuh\u00ebn shqipe: Elmedina Salihu P\u00ebrkthimi \u00ebsht\u00eb b\u00ebr\u00eb n\u00eb kuad\u00ebr t\u00eb kursit \u201cKritika artistike\u201d t\u00eb Hanit t\u00eb 2 Robert\u00ebve.<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Through critical texts, essays, interviews, and reviews, we aim to foster a vibrant discourse around artistic practices, the role of art in society, and the challenges artists face today. This blog is an invitation to think more deeply about the works exhibited, the contexts in which they are created, and the ways in which they communicate with the public.<\/p>

In collaboration with art critics, researchers, curators, and the artists themselves, our blog seeks to build a dynamic archive of critical thought and to create a bridge between creation and understanding.<\/p>

If you are interested in contributing a critical text, reflection, or short essay, please contact us, the blog is open to new ideas and diverse voices.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Gazeta Blogu i Kritik\u00ebs Artistike \u00ebsht\u00eb nj\u00eb hap\u00ebsir\u00eb dedikuar reflektimit, analiz\u00ebs dhe debatit mbi zhvillimet n\u00eb artin bashk\u00ebkohor, n\u00eb Kosov\u00eb dhe m\u00eb gjer\u00eb. P\u00ebrmes teksteve t\u00eb kritik\u00ebs, eseve, intervistave dhe recensioneve, synojm\u00eb t\u00eb nxisim nj\u00eb diskurs t\u00eb gjall\u00eb rreth praktikave artistike, pozicionit t\u00eb artit n\u00eb shoq\u00ebri dhe sfidave me t\u00eb cilat p\u00ebrballen artist\u00ebt sot. Ky […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"nf_dc_page":"","footnotes":""},"class_list":["post-534","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nBlogu i Kritik\u00ebs Artistike - Hani i 2 Robert\u00ebve<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hani2roberteve.com\/en\/blog\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blogu i Kritik\u00ebs Artistike - Hani i 2 Robert\u00ebve\" \/>\n<meta property=\"og:description\" content=\"Gazeta Blogu i Kritik\u00ebs Artistike \u00ebsht\u00eb nj\u00eb hap\u00ebsir\u00eb dedikuar reflektimit, analiz\u00ebs dhe debatit mbi zhvillimet n\u00eb artin bashk\u00ebkohor, n\u00eb Kosov\u00eb dhe m\u00eb gjer\u00eb. 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